With The Real Lolita, Sarah Weinman might be said to have invented a completely new genre: true-crime literary criticism, which is not to be confused with truly criminal literary criticism, which, of ...
In the nine centuries since his death, El Cid has been presented as a prototypical crusader, a paragon of religious toleration and the progenitor of a united Spain. David Abulafia goes in search of ...
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